Fujifilm GFX100 II Medium Format Mirrorless Camera Body

  • £6,299.00
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Fujifilm GFX100 II Medium Format Mirrorless Camera Body

  • 102MP 43.8 x 32.9mm BSI CMOS Sensor
  • X-Processor 5 Image Processor
  • 9.44m-Dot EVF
  • 4K60 Video; 10-Bit Out
  • 5-Axis Sensor-Shift Image Stabilization
  • 3.2" 2.36m-Dot Tilting Touchscreen LCD
  • ISO 80-12800, Up to 8 fps Shooting
  • Multi Aspect Ratios

Fujifilm continues to challenge the expectations of medium format mirrorless cameras with the GFX100 II. By incorporating a powerful new 102MP sensor and X-Processor 5 image processor, this camera not only serves as a commanding second iteration of FUJIFILM's flagship model but proves to be an elite and accessible mirrorless option for photographers and filmmakers alike.

In a fast-paced world, camera capabilities change rapidly and the updated flagship Fujifilm GFX 100 II Medium Format Mirrorless Camera Body arrives just a couple of years after the scaled-down GFX 100S launched. The new Fuji medium format body combines cutting edge technology inside, with class-leading connectivity and ergonomics on the exterior.

The next generation GFX 100 mark II camera houses a newly developed 102 megapixel medium format CMOS sensor, which not only captures incredible image quality, but offers faster readout speeds thanks to being paired with the high-speed X Processor 5 engine.

These contribute to a veritable shopping list of upgrades for hybrid creators who demand the best image quality, which the GFX medium format system consistently delivers. Upgrades include faster shooting speeds of up to 8fps, 2x buffer capacity, stunning video quality at 4K/60P and even 8K/30P 4:2:2 10-bit in cinema-ready formats, as well as improved ISO performance for stills and video. The X Processor 5 also facilitates AI-driven subject recognition and tracking, with significant improvements to face and eye AF detection, which cover a wide area of the large sensor.

External enhancements include the addition of an Ethernet port, recording to external SSD drive via USB-C, and a full-sized HDMI Type-A port for added robustness. Newly added function buttons enable quick access to various camera settings, while a CFexpress Type B card slot has been introduced to accommodate faster burst rates and higher video quality. You’ll also instantly see that the built-in grip has been removed, resulting in a lower body weight of 1030g vs 1400g for the first gen.

Fujifilm is targeting the movie industry squarely with the GFX 100 II camera able to record uncompressed 4:2:2 10-bit RAW video via the full-sized HDMI port, as well as BlackMagic 12-bit RAW video with a corresponding external video recorder. It also supports IDT for ACES with cinema standard colour space, plus Remote Rec. frame.io, and more for filmmaking professionals.


Thanks to the sensor, processor, buffer and algorithm updates, the Fuji GFX 100 II camera achieves significantly improved AF hit rates. The X Processor 5’s AI face and subject detection calculations start at the AF area and utilise programming ported from the latest X-H2S, X-T5 and other models from the X-series line-up.

The power of AI enables the camera to detect animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects and drones. With higher burst rates and buffer capacity, plus extended subject tracking AF, the mark II medium format camera offers more versatile shooting for previously challenging subjects, such as sports, wildlife and reportage.

Portrait and commercial photographers will in particular benefit from the high speed readout of the sensor phase detection system, combined with AI eye/face/body detection, which generates impressive AF results for human subjects. You can even allocate priority to front side eye or pupil, as well as the left or right eye of the subject.

Further fine-tuning is available through a customisable Zone AF function, which allows the shape of the AF area to be adjusted to suit any given shooting situation, for more accurate autofocusing.


A number of changes have been made to the exterior of the mark 2 GFX 100 camera, with new controls, ports and connectivity to support professional users. New additions include a CFexpress Type B card slot, ethernet port, upgraded HDMI type-A port and several new function buttons.

The top monochrome information screen has also been upgraded with a new 2.09-inch LCD panel for clearer viewing of current settings. The GFX 100 II’s shutter button is quick and silent, while the mode dial features no less than six custom settings for fast switching between preassigned functions.

Additionally, a new dedicated switch allows you to change between stills and video mode and all other connectivity has been retained from the previous generation. These include a microphone jack, headphone jack, SD card slot and backlight button.


The camera is equipped with a high-magnification, high-definition 9.44-million-dot EVF with 1.0x magnification. It suppresses parallax and distortion, which typically occurs when an eye position becomes displaced while using the viewfinder, for incredibly clear and accurate visibility. The EVF boasts a smooth refresh frame rate of approximately 120fps in order to accurately identify a subject’s fast movements clearly.


Although the GF format sensor captures an extraordinary 102 megapixels of data, faster readout speeds and quicker processing allow you to capture bursts at higher frame rates than that of the GFX 100S for longer durations. The table below highlights the advantages of the newer body, when shooting with various modes and compressions using either a CFexpress Type B or SD card.


Fujifilm has extended their range of desirable Medium Format Film Simulations included in the GFX 100 II with the addition of REALA ACE, which results in natural looking images with rich and soft gradation.

This complements existing film simulation modes, which generate gorgeous results straight out of camera with iconic colours and tones. Some of the most popular include:

  • PROVIA/STANDARD, which is based on the Fujichrome Provia reversal film.
  • Velvia/VIVID, based on Fujichrome Velvia, that is loved for its ultra vivid rich and high-contrast colours.
  • ASTIA/SOFT is based on FUJICHROME ASTIA, a film designed for fashion portraits, that prioritises soft and faithful reproduction of skin tones.
  • CLASSIC CHROME is a Film Simulation mode designed to reproduce a similar style to 20th century documentary magazines with low-saturation and hard tonal gradation in shadows.
  • ETERNA/CINEMA, which is a film designed for motion pictures, delivering uniform colours and an extremely soft tonal gradation in highlights.
  • ETERNA BLEACH BYPASS applies a Bleach Bypass effect to the ETERNA/CINEMA for a high-contrast and low-saturation look, used by many filmmakers.


Thanks to the new high-speed sensor and included codecs, the GFX 100 II is capable of cinema-quality filmmaking. It also supports IDT for ACES Cinema standard colour space, including GFX 100 II F-Log2 x IDT, Venice S-Log3 x IDT and ALEXA35 Log-C4 x IDT. This is the first GFX Series camera that features F-Log2 with dynamic range expanded up to 14+ stops.

When combined with a compatible ATOMOS HDMI device, RAW video output from GFX100 II can be recorded as 12-bit Apple ProRes RAW at resolutions up to 8K and frame rates up to 29.97fps. With Blackmagic Design Video Assist 12G HDR, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 8K and frame rates up to 29.97fps.

ATOMOS AirGlu™ BT is supported, which enables seamless timecode synching with multiple cameras, meeting demand from various video production sites.

When shooting in Apple ProRes, the Fujifilm GFX II camera can use proxy video recording such as Apple ProRes 422 Proxy, which reduces video editing workload to streamline the overall workflow from filming to post production.

Video assist tools have been added to make moviemaking easier, and include:

  • Displaying waveform vectorscope
  • MF-assist function focus map
  • Adding F-log2 D Range Priority mode
  • frame.io compatibility
  • ATOMOS AirGlu™ BT Wireless Timecode*
  • Rec Frame Indicator
  • IS Mode Boost
  • Zebra tool


When using a mount adapter, the GFX II supports various cine recording formats such as Premista, 35mm, and anamorphic (35mm). This accommodates video recording in a versatile range of situations, complemented also by the enhanced sensor readout speed and the tracking AF.


  • Newly developed high-speed GFX 102MP CMOS II HS sensor with fast readout speeds
  • Continuous burst shooting at up to 8fps and 2x buffer capacity
  • Record internal video at 4K/60p and 8K/30p 4:2:2 10-bit in-camera with reduced rolling shutter
  • Improved ISO performance with base ISO 80 for stills and ISO 100 for movies
  • F-Log2 colour profile with 14+ dynamic range
  • AI-based subject-detection AF with deep learning for huge autofocus improvements
  • X Processor 5’s AI face and subject detection AF
  • Up to 8-stop in-body stabilisation with compatible GF lenses
  • Enhanced flagship ergonomics with new ports, controls and connectivity
  • In-body Ethernet / IP support
  • Recording to external SSD hard drive via USB-C
  • Support for IDT for ACES (Input Device Transform)
  • Updated Pixel Shift Multi Shot with four images
  • Bright 9.44-million-dot EVF with 1.0x magnification
  • Optional VG-GFX II Vertical Battery Grip, which houses two batteries
  • Weighs 1030g

In the Box

  • Fujifilm GFX 100 II Medium Format Camera Body
  • Interchangeable electronic viewfinder EVF-GFX3
  • NP-W235 Li-ion battery
  • AC power adapter AC-5VJ
  • Plug adapter
  • USB cable
  • Shoulder strap
  • Body cap
  • Hot shoe cover
  • Vertical battery grip connector cover
  • Memory card slot cover
  • Sync terminal cover
  • Cooling fan connector cover
  • Cable protector

Fujifilm GFX100 II Medium Format Mirrorless Camera Body Specs

Lens Mount
Sensor Resolution
Effective: 102 Megapixel
Image Sensor
43.8 x 32.9 mm (Medium Format) CMOS
Sensor Crop (35mm Equivalent)
Crop Factor: 0.79x
*Additional Crop Occurs in Select Video Modes
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
Capture Type
Stills & Video
Exposure Control
Shutter Type
Mechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter Speed
Mechanical Shutter
1/4000 to 60 Minutes in Manual Mode
1/4000 to 30 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 60 Minutes in Manual Mode
1/32000 to 30 Seconds in Program Mode
1/32000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Bulb/Time Mode
Bulb Mode
ISO Sensitivity Range
80 to 12,800 (Extended: 40 to 102,400)
100 to 12,800 (Extended: 25,600)
Metering Method
Average, Center-Weighted Average, Multi, Spot, TTL 256-Zones
Exposure Modes
Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3 EV Steps)
White Balance
2500 to 10,000K
Presets: Auto, Custom, Fluorescent, Shade, Underwater
Continuous Shooting
Mechanical Shutter
Up to 8 fps at 102 MP for up to 76 Frames (Raw) / Unlimited Frames (JPEG)
Up to 5 fps at 102 MP for up to 497 Frames (Raw) / Unlimited Frames (JPEG)
Up to 2 fps at 102 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Electronic Shutter
Up to 5.3 fps at 102 MP for up to 390 Frames (Raw) / Unlimited Frames (JPEG)
Interval Recording
2/10-Second Delay
Still Image Capture
Image Sizes
90 MP (11,648 x 7768)
45 MP (8256 x 5504)
10.6 MP (4000 x 2664)
101 MP (11,648 x 8736)
51 MP (8256 x 6192)
12 MP (4000 x 3000)
76 MP (11,648 x 6552)
38 MP (8256 x 4640)
9 MP (4000 x 2248)
76 MP (8736 x 8736)
38 MP (6192 x 6192)
9 MP (2992 x 2992)
50 MP (11,648 x 4304)
25 MP (8256 x 3048)
6 MP (4000 x 1480)
95 MP (10,928 x 8736)
47 MP (7744 x 6192)
11 MP (3744 x 3000)
89 MP (10,192 x 8736)
44.7 MP (7232 x 6192)
10.5 MP (3504 x 3000)
Aspect Ratio
1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24
Image File Format
Bit Depth
Video Capture
Internal Recording Modes
H.264/H.265/MPEG-4 AVC/ProRes 422/ProRes 422 HQ/ProRes 422LT
8192 x 4320 at 23.98/24.00 fps [50 to 720 Mb/s]
7680 x 4320 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
8192 x 2968 at 23.98/24.00 fps [50 to 720 Mb/s]
5824 x 2476 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
5440 x 2868 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
4776 x 3184 at 23.98/24.00 fps [50 to 720 Mb/s]
4776 x 2688 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
4664 x 3380 at 23.98/24.00 fps [50 to 720 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120 fps [50 to 720 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120 fps [50 to 720 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
7680 x 4320 at 23.98/24.00/25/29.97 fps
8192 x 4320 at 23.98/24.00 fps
8192 x 2968 at 23.98/24.00 fps
5824 x 2476 at 23.98/24.00/25/29.97 fps
5440 x 2868 at 23.98/24.00/25/29.97 fps
4776 x 2688 at 23.98/24.00/25/29.97 fps
4664 x 3380 at 23.98/24.00 fps
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120 fps
Raw via HDMI
7680 x 4320 at 23.98/24.00/25/29.97 fps
8192 x 4320 at 23.98/24.00 fps
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
Fast-/Slow-Motion Support
Slow-Motion Only
Recording Limit
Up to 60 Minutes in 4K
IP Streaming
Built-In Microphone Type
Audio Recording
24-Bit 48 kHz LPCM Audio
Media/Memory Card Slot
Slot 2: CFexpress Type B
Video I/O
1x HDMI (Unspecified Signal) Output
Audio I/O
1x 3.5 mm TRS Stereo Microphone Input
1x 3.5 mm TRS Stereo Headphone Output
Power I/O
1x USB-C Input
Other I/O
1x USB-C Data Output (Shared with Power Input)
1x RJ45 Input
Wi-Fi 5 (802.11ac), Bluetooth 4.2
Mobile App Compatible
Yes: Android & iOS
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed
Global Positioning (GPS, GLONASS, etc.)
*Via Connected Smartphone
Display Size
2,360,000 Dot
Display Type
3-Way Tilting Touchscreen LCD
Secondary Display
Top: 2.09" LCD Status Display
Built-In Electronic (OLED)
9,440,000 Dot
Eye Point
21 mm
Approx. 1x
Diopter Adjustment
-5 to +2
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Built-In Flash/Light
Maximum Sync Speed
1/125 Second
Dedicated Flash System
External Flash Connection
Shoe Mount, PC Terminal
Operating Temperature
-10 to 40°C
Operating Humidity
10 to 80%
Battery Type
1x NP-W235 Rechargeable Lithium-Ion (Approx. 540 Shots)
Shoe Mount
1x Hot Shoe
Tripod Mounting Thread
1x 1/4"-20 Female
Dimensions (W x H x D)
152.4 x 117.4 x 98.6 mm
1.030 kg (With Battery, Recording Media, Viewfinder)
949 g (With Viewfinder)

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